The Enchanted Woodland

from £1,200.00
Print Size:

Nakuru Kenya 2013
An edition of 25 in all sizes

The Enchanted Woodland was awarded in the Wildlife Photographer of the Year awards in 2014, and was included in the portfolio book that year. It is an absolute personal favourite, right up there with my top two or three pictures of leopards.

The picture is high definition crisp and the fever tree forest appears to be rendered in three dimensions. As one observer said: the leopard, though majestic and showing great profile, is almost incidental to the wood and the trees. In fact this picture would still be fantastic if it was completely devoid of an animal.

This print is limited to a run of twenty-five numbered and signed prints, it will be no longer be available once all have sold.

This is a fortunate picture which almost did not happen. The main camera had failed minutes before – this was taken on an untried second camera. The image is actually two exposures, the left third taken moments after the initial one and stitched together to include the sun's last rays hitting the trees and to recreate the magical scene just as it was that evening.

Nakuru Kenya 2013
An edition of 25 in all sizes

The Enchanted Woodland was awarded in the Wildlife Photographer of the Year awards in 2014, and was included in the portfolio book that year. It is an absolute personal favourite, right up there with my top two or three pictures of leopards.

The picture is high definition crisp and the fever tree forest appears to be rendered in three dimensions. As one observer said: the leopard, though majestic and showing great profile, is almost incidental to the wood and the trees. In fact this picture would still be fantastic if it was completely devoid of an animal.

This print is limited to a run of twenty-five numbered and signed prints, it will be no longer be available once all have sold.

This is a fortunate picture which almost did not happen. The main camera had failed minutes before – this was taken on an untried second camera. The image is actually two exposures, the left third taken moments after the initial one and stitched together to include the sun's last rays hitting the trees and to recreate the magical scene just as it was that evening.